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One of the hottest trends in electronic music right now is fusing traditional Indian Bhangra music and Electronica. There are many musicians who are embracing Indian Bhangra sounds and using them to create Bhangra/Electronica hybrids but there are some artists who have been doing it for years and are only now starting to gain recognition. The rise in popularity of Bollywood films in the West and major mainstream releases from Indian directors like Mira Nair have raised awareness of Southeast Asian music but it's still not on the mainstream pop music radar. The success of Gurindar Chadha's 2002 (2003 US release) film Bend It Like Beckham introduced many Westerners to fusion electronica and features music by many of the five artists spotlighted here. These four artists are the superstars of Bhangra Fusion music, and you should know more about them.

Bally Sagoo – Bally Sagoo is known as the “Godfather of Bhangra”. He has been blending Indian Bhangra music with other influences since the 1980's and has become synonymous with Fusion music. Born in Delhi, India he grew up in a predominately Black neighborhood in Birmingham, England. Early on he developed a passion for music and was influenced by Motown, disco, hip-hop and soul. He also was influenced by traditional Bhangra music from India and Bollywood. In 1992 he produced an album featuring the legendary Indian artists Nusrat Fateh Ali Khan. That album, “Magic Touch”, became Bally's first commercial success. Next came “Bollywood Flashback”, a compilation of remixed classic Bollywood songs. These two popular efforts led to 1996's “Rising From The East” which placed in the top 20 on the UK Billboard charts. With over 30 CDs to his credit and countless film scores and other projects, Bally Sagoo is the unquestioned pioneer of Indian Fusion music.

Karsh Kale (pronounced “Kursh Kahlay”)- Karsh Kale grew up in the US, in Stony Brook NY but was heavily influenced by Indian heritage. Interested in music from an early age, he began drumming and studying Indian percussion as a child and played in rock bands as a teen. When electronic music gained popularity in the US he began fusing electronica with the traditional Indian percussion he had been playing since childhood. His style is very different from Bally Sagoo's style and focuses much more on loud, hop-hop, experimental style composition. He has collaborated with famous experimental artists like Herbie Hancock and DJ Spooky. Most of his work is instrumental. Karsh Kale is also a member of a Indian Fusion group called Tabla Beat Science whose music mirrors the experimental Electronica style favored by Kale. Kale is one of the more well-known artists released by Six Degrees Records, a record label known for signing very talented artists from around the world. His latest CD, “Broken English” was released in 2006.

MIDIval PunditZ - The Fusion Electronica duo MIDIval PunditZ hit the music scene in 2002 and quickly gained an audience around the world. The duo, Gaurav Raina and Tapan Raj, have been credited as creating “the sound of 21st century India”. They met in grade school in India. When they got older they both became active in the club scene in New Delhi and began producing music together. A song from their first CD,”Fabric” was featured on the soundtrack to Mira Nair's highly successful film “Monsoon Wedding”. They work to bring a fresh perspective and 21st century update to classical and traditional Indian music by using traditional Indian instruments blended with Electronica. Their latest release, MIDIval PunditZ is available from Six Degrees Records and features contributions from label mate Karsh Kale.

Talvin Singh - Born in London, England Talvin Singh is a major player in the Asian Underground/Fusion Electronica scene. As a DJ he began mixing classical Indian music with popular Drum N Bass club music and audiences loved it. Also a classically trained tabla player, Talvin has worked with some of the most famous musicians in the world from a wide range of genres including the Indigo Girls, Siouxsie and the Banshees, Bjork, Massive Attack and club favorites the Future Sound of London. He has remixed songs by Blondie, Madonna, Bjork, Ryuichi Sakamoto and Sarah McLachlan. In 1995 he opened his own London nightclub, Anokha. His first release,”OK” in 1998 earned him a Mercury Music Prize and delighted fans. He has worked with Karsh Kale and Tabla Beat Science. His latest release is on Island Records, “OM”.

About the writer Helena Jones has been publishing reports, on the web and in the real world, for more than six years. This author usually produces on wellness and fitness, relationship, fat loss and fat loss associated difficulties. Read her most current articles at her website. She is also a barista, hypno therapist and novelist. Watch her tension minimizing once a month class on video that can be found at Japanese Dating or on lots of common web pages on the net.

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I've found several versions of this recently, and each one leaves me shaking my head. On first look, I thought it was meant as a joke. As time went on, it appeared that it was a sincere attempt by the teacher to use lingo and scenarios he assumed his studients would relate to. The result was insulting. 

What *ultimately* became of this teacher I can't tell you. I know he was suspended, and the local Council voted to oust him,. Then there came the cop out. the council determined that only the school board has the authority to fire the teacher for his actions. What happened from there is your guess is as good as mine. 

Here's what happened, according to the AGREED upon aspects:
Charles Routen, a 45-year-old teacher at Horatio N. May Elementary School in Chicago, administered a math test. According to teachers the test was supposed to be a parody. If you look at what various IQ people/test makers say about Latino and Black groups, it may back that up, but those statements were made at the origin of the tests, and this is now. It seems odd that a teacher would choose now to get offended and do a parody. The other suggestion of a parody is that this was funny. You tell me.

These were questions on a 6th-grade Math tested that was administered:
•“Raoul is in prison for six years for murder. He got $10,000 for the hit. If his common-law wife is spending $100 per month, how much money will be left when he gets out of prison and how many years will he get for killing the bitch that spent his money?'' 

•“Jose has 2 ounces of cocaine and he sells an 8-ball to Jackson for $320, and 2 grams to Billy Joe for $85 per gram. What is the street value of the balance if he doesn't cut it?'' 

•“Johnny has an AK-47 with a 40-round clip. If he misses six out of 10 shots and shoots 13 times at each drive-by shooting, how many drive-by shootings can he attend before he has to reload?'' 

•“Rufus is pimping three girls. If the price is $65 for each trick, how many tricks will each girl have to turn before Rufus can pay for his $800-a-day crack habit?'' 

•“If the Crips are driving a car at 65 m.p.h. towards the Bloods, who are driving a car in the opposite direction at 40 m.p.h., how many shots will the Crips and Bloods exchange before their assault weapons jam?'' 

Teachers say this parody has been circulating forever but for some reason Routen decided to administer it. He offered to quit over it, but told parents that he thought the language used was the only way he could relate to his students. I think THAT''S the part that scares and baffles me. 

Students were qeustioned. One student wrote one of the questions on the board. She said they were told they didn't have to take this test. She also says that she didn't have a problem with it.

Okay, how assertive were you in middle school? How many students would stand up to a teacher at that age and say he thinks it's inappropriate for a teacher to ask such questions? There is the wimp factor? What child wants to look like he can't handle IT, whatever IT is?

I don't know…maybe the would have related to a lead-filled snowshoe upside the head just as much. It doesn't mean he should have used one. I grew up during the age of “The Streak.” I don't want to even know that a teacher thought that if he zipped through our classroom naked we would relate to him better. And for some reason, even though adults were streaking as well, the teachers in my school…in my county…chose not to use that as a teaching tactic. If the aim was to relate to students, why?

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